100 Gecs Biography: Laura Les, Dylan Brady, Albums, Songs, Career and Complete Bio

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Who Are 100 Gecs?

100 Gecs are an American musical duo consisting of Laura Les and Dylan Brady, two singers, songwriters, producers, and multi-instrumentalists whose radically genre-blending music helped bring hyperpop to a much wider audience.

With roots in the St. Louis, Missouri area, Les and Brady began the 100 Gecs project in 2015 and released their self-titled EP the following year. Their international breakthrough arrived with the 2019 debut studio album 1000 Gecs, an explosive collection that blurred the boundaries between electronic pop, dubstep, pop-punk, ska, metal, emo, hip-hop, chiptune, and internet-born experimental music.

The duo quickly became recognizable for heavily processed vocals, distorted production, enormous bass, sudden stylistic changes, playful lyrics, and melodies that remain surprisingly accessible beneath the chaos.

Songs such as “Money Machine,” “Ringtone,” “Hand Crushed by a Mallet,” “Stupid Horse,” “Mememe,” “Doritos & Fritos,” and “Hollywood Baby” became key entries in their catalog.

Their second studio album, 10,000 Gecs, released in 2023, expanded their sound further by bringing guitars, ska, alternative rock, pop-punk, and metal influences more prominently into the mix.

Today, 100 Gecs stand as one of the most distinctive musical partnerships to emerge from the internet-driven experimental pop scene.

100 Gecs Biography and Quick Facts

Profile	Details
Group Name	100 Gecs
Type	Musical duo
Members	Laura Les and Dylan Brady
Origin	St. Louis, Missouri, United States
Formed	2015
Years Active	2015–present
Genres	Hyperpop, experimental pop, electronic, pop-punk
Debut EP	100 Gecs (2016)
Debut Album	1000 Gecs (2019)
Second Album	10,000 Gecs (2023)
Notable Project	1000 Gecs and the Tree of Clues
Popular Songs	“Money Machine,” “Ringtone,” “Hollywood Baby,” “Mememe”
Known For	Hyperpop, extreme genre blending, processed vocals and maximalist production

Early History of 100 Gecs

The 100 Gecs story begins with Laura Les and Dylan Brady, who both grew up around the St. Louis region and developed an interest in experimental music and digital production.

Their musical relationship emerged from a shared understanding of internet-era creativity. Rather than being restricted by traditional ideas about genre, both artists were comfortable moving between electronic music, rock, hip-hop, pop, and more unconventional sounds.

Before 100 Gecs became internationally recognized, Les and Brady had already been developing their individual creative identities.

Les made electronic music and released solo material, including recordings under the name osno1. Her work explored heavily manipulated vocals, experimental pop production, and emotionally expressive songwriting.

Brady similarly established himself as a producer and musician, experimenting with electronic sounds, hip-hop production, distortion, and unconventional arrangements.

Those individual experiences provided the foundation for what eventually became 100 Gecs.

How Did 100 Gecs Form?

Laura Les and Dylan Brady knew each other through the St. Louis-area music community before officially beginning their collaborative project.

They formed 100 Gecs in 2015.

The partnership was unusual because it did not depend on both musicians being in the same studio at all times. Digital production and remote collaboration became important parts of their creative process.

The duo released the self-titled 100 Gecs EP in 2016.

Although it preceded their major breakthrough by several years, the EP established many ideas that later became central to their identity. Pitch-shifted vocals, exaggerated electronic sounds, abrupt changes in style, distorted textures, and unusual song structures were already present.

After the EP, Les and Brady continued developing their own musical projects while periodically collaborating.

Then came the record that changed everything.

100 Gecs’ Breakthrough With 1000 Gecs

In May 2019, 100 Gecs released their debut studio album, 1000 Gecs.

The album became the defining breakthrough of their career.

At first, its sound could seem almost deliberately overwhelming. Distorted bass, bright synthesizers, pitched vocals, guitars, electronic drums, ska rhythms, pop melodies, and abrasive effects collided throughout its short runtime.

But 1000 Gecs was more carefully constructed than its chaotic reputation suggested.

Les and Brady demonstrated an ability to write concise, memorable melodies before transforming them through unconventional production. This tension between catchy pop songwriting and sonic extremity became one of the defining characteristics of 100 Gecs.

The album also arrived at an ideal moment for internet-driven music discovery. Tracks circulated rapidly through online communities, memes, playlists, videos, and social media, introducing 100 Gecs to listeners far beyond experimental electronic circles.

“Money Machine” and Viral Recognition

“Money Machine” became the signature song of the duo’s early breakthrough.

Opening with an instantly recognizable vocal passage before exploding into distorted electronic production, the song captured nearly everything distinctive about 100 Gecs in a compact format.

The vocals are processed. The instrumental is abrasive. The lyrics are playful and confrontational. Yet the underlying structure is highly memorable.

Its online popularity helped transform 100 Gecs from a relatively niche experimental project into a major talking point within alternative music.

For many listeners, “Money Machine” remains the first song associated with the name 100 Gecs.

The Songs That Defined 1000 Gecs

Although “Money Machine” attracted enormous attention, 1000 Gecs contained several tracks that became important to the duo’s growing audience.

“Ringtone”

“Ringtone” demonstrates the melodic side of 100 Gecs particularly clearly.

Its catchy central idea is surrounded by processed vocals and electronic production, illustrating how the duo can build accessible pop melodies without abandoning experimentation.

“Stupid Horse”

“Stupid Horse” brings ska-inspired rhythm into the 100 Gecs universe.

Its fast pace and humorous concept demonstrate the duo’s willingness to incorporate genres that might seem unfashionable or incompatible with contemporary electronic pop.

“Hand Crushed by a Mallet”

“Hand Crushed by a Mallet” leans into heavier sounds, combining electronic production with aggressive alternative and rock influences.

“800db Cloud”

“800db Cloud” further demonstrates the group’s interest in dramatic dynamic changes, distortion, electronic textures, and heavy musical elements.

Together, these tracks showed that 100 Gecs were not built around one production trick. Their identity was based on constant transformation.

Laura Les Biography and Role in 100 Gecs

Laura Les is an American singer, songwriter, producer, guitarist, and multi-instrumentalist best known as one-half of 100 Gecs.

Her contributions are essential to the group’s sound.

Les is particularly recognized for the use of vocal processing as a creative instrument. Her vocals can be dramatically pitch-shifted and digitally altered, producing a distinctive sound that became strongly associated with the early hyperpop movement.

Her musical interests extend beyond purely electronic production.

Elements of punk, emo, alternative rock, experimental pop, and internet culture can all be heard throughout her work.

Before 100 Gecs became widely known, Les released independent material and developed a solo identity. Her solo recordings further demonstrate the emotionally expressive side of her songwriting.

Within 100 Gecs, she contributes vocals, songwriting, production, guitar, and broader creative direction.

Dylan Brady Biography and Role in 100 Gecs

Dylan Brady is an American producer, songwriter, vocalist, musician, and multi-instrumentalist who forms the other half of 100 Gecs.

Brady’s production work is central to the group’s maximalist sonic identity.

His approach often features extreme compression, distorted bass, dramatic transitions, unconventional percussion, synthetic textures, and a willingness to combine sounds from completely different genres.

Before and alongside 100 Gecs, Brady developed a solo career and worked as a producer and collaborator.

His experience across electronic music, experimental pop, hip-hop, and alternative styles gives the duo considerable flexibility.

Most importantly, both Brady and Les understand music from a producer’s perspective.

This means that their partnership extends far beyond a conventional singer-and-producer relationship. Both can participate in songwriting, arrangement, instrumentation, sound design, and production.

Why Are 100 Gecs Called 100 Gecs?

The meaning of the name 100 Gecs has never been presented through one consistently definitive explanation.

Over the years, Les and Brady have offered various humorous stories about where the name originated, including tales involving geckos and other deliberately unusual scenarios.

The contradictory explanations have effectively become part of the duo’s mythology.

That ambiguity feels appropriate for a band whose public identity regularly incorporates humor and absurdity.

Instead of carefully explaining every detail surrounding their image, 100 Gecs often allow jokes and strange ideas to exist without conventional clarification.

What Genre Are 100 Gecs?

100 Gecs are most commonly categorized as hyperpop, but describing them exclusively through that label can be limiting.

Their music draws from numerous genres, including:

Hyperpop
Experimental pop
Electronic music
Dubstep
Pop-punk
Ska
Emo
Alternative rock
Metal
Nu-metal
Chiptune
Trance
Hip-hop
Noise

The important point is not simply that 100 Gecs use many genres. It is how they combine them.

A song might begin with electronic pop production, move into a distorted guitar section, introduce a ska rhythm, and finish with a heavy electronic breakdown.

These transitions can happen remarkably quickly.

For Les and Brady, genre is less a permanent identity than a collection of sounds available for experimentation.

100 Gecs and the Rise of Hyperpop

The rise of 100 Gecs became closely connected with the growing popularity of the term hyperpop.

Hyperpop generally describes music that exaggerates elements of digital pop production. Vocals may be heavily manipulated, synthesizers unusually bright, bass deliberately distorted, and familiar pop structures pushed toward extremes.

The wider movement developed through a network of experimental producers and artists rather than one single band.

100 Gecs nevertheless became one of its most recognizable acts.

The success of 1000 Gecs brought the sound to listeners who may never previously have encountered this style of experimental digital pop.

Their influence was particularly noticeable among internet-native musicians who viewed genre boundaries as increasingly irrelevant.

1000 Gecs and the Tree of Clues

In 2020, the duo released 1000 Gecs and the Tree of Clues, a remix project built around material from their debut album.

Rather than simply repeating the original tracks, the record emphasized collaboration and reinterpretation.

Artists from different areas of electronic, alternative, pop, and hip-hop music participated in the project.

One of its most recognizable collaborations was the remix of “Ringtone” featuring Charli XCX, Rico Nasty, and Kero Kero Bonito.

The project reinforced the idea that a 100 Gecs song did not necessarily have one final form.

Tracks could be dismantled, remixed, reconstructed, and pushed into entirely different directions.

Signing With Atlantic Records and Growing Recognition

As interest surrounding the duo increased, 100 Gecs moved beyond their original underground status and entered a larger stage of their career.

Their growing profile led to a relationship with Atlantic Records, providing a larger platform while the duo retained the unconventional characteristics that had made them distinctive.

The transition was significant because 100 Gecs did not achieve broader recognition by transforming themselves into a conventional pop act.

Instead, their increasingly visible career demonstrated that highly experimental music could move toward the mainstream without eliminating the qualities that originally made it unusual.

The Road to 10,000 Gecs

Following the enormous attention surrounding 1000 Gecs, listeners waited for the duo’s next full-length statement.

During this period, 100 Gecs released new material including “Mememe” and “Doritos & Fritos.”

The Snake Eyes EP, released in 2022, also provided new music as the duo moved toward its second studio album.

These releases suggested that the next chapter of 100 Gecs would not simply duplicate their debut.

Rock guitars and heavier influences were becoming increasingly prominent.

That evolution became fully apparent with 10,000 Gecs.

10,000 Gecs: A Bigger and Heavier Second Album

100 Gecs released 10,000 Gecs on March 17, 2023.

The second studio album expanded the duo’s musical vocabulary while preserving their unpredictable personality.

Where 1000 Gecs was strongly associated with hyper-digital production, 10,000 Gecs gave guitars and rock-oriented influences a more prominent role.

The album draws from alternative rock, pop-punk, ska, nu-metal, electronic music, and other styles.

Tracks include:

“Dumbest Girl Alive”
“757”
“Hollywood Baby”
“Frog on the Floor”
“Doritos & Fritos”
“Billy Knows Jamie”
“One Million Dollars”
“The Most Wanted Person in the United States”
“I Got My Tooth Removed”
“Mememe”

The album demonstrated an important evolution: 100 Gecs could change their musical ingredients without losing their identity.

“Hollywood Baby” and the Rock Evolution of 100 Gecs

One of the standout tracks from 10,000 Gecs is “Hollywood Baby.”

The song places guitar-driven alternative rock and pop-punk energy at the center of the arrangement while retaining the enormous, compressed production associated with Les and Brady.

Its strong melodic chorus also highlights something that can be overlooked when discussing the duo’s experimentation: 100 Gecs are skilled pop songwriters.

The extreme production works because there are recognizable songs underneath it.

“Hollywood Baby” became an effective example of the duo’s ability to expand their sound while remaining unmistakably 100 Gecs.

The Humor Behind 100 Gecs

Humor is an important element of the duo’s personality.

Songs can revolve around unexpected subjects, exaggerated situations, strange characters, food, animals, or deliberately mundane problems.

On 10,000 Gecs, “Frog on the Floor” and “I Got My Tooth Removed” are obvious examples.

Yet labeling these songs as simple jokes misses the craftsmanship behind them.

100 Gecs frequently treat absurd premises with serious musical commitment. Melodies, arrangements, performances, and production remain carefully developed regardless of how ridiculous a lyrical concept may initially appear.

The contrast is part of their appeal.

100 Gecs Discography

EPs and Other Major Releases

100 Gecs (2016)
The self-titled debut EP introduced the duo’s early experimental electronic style.

Snake Eyes (2022)
A short release that arrived during the transition between their two studio albums.

Studio Albums

1000 Gecs (2019)
The breakthrough debut album that brought Les and Brady widespread recognition.

10,000 Gecs (2023)
A broader and heavier second album incorporating more rock, ska, punk, and metal influences.

Remix Album

1000 Gecs and the Tree of Clues (2020)
A collaborative remix project based around material from 1000 Gecs.

What Makes 100 Gecs Unique?

The greatest strength of 100 Gecs is their ability to make extreme experimentation feel like pop music.

Their recordings can be noisy and unpredictable, but Les and Brady rarely forget the importance of hooks.

Many songs contain clear choruses and memorable melodic ideas beneath the distortion.

Their production also reflects the way internet culture has changed musical listening habits.

A listener today can move from metal to hip-hop, ska, electronic music, punk, and pop within minutes. 100 Gecs transform that listening experience into a songwriting philosophy.

Instead of asking whether two genres belong together, they ask what happens when those genres collide.

100 Gecs’ Influence on Modern Alternative Music

100 Gecs’ importance extends beyond the commercial performance of their albums.

The duo helped demonstrate that music emerging from highly online experimental communities could reach much larger audiences.

Their success also contributed to the increased visibility of hyperpop and adjacent styles.

Perhaps more significantly, Les and Brady represent a broader change in how contemporary musicians think about genre.

Earlier music scenes were often built around relatively clear stylistic identities. Internet culture has weakened many of those divisions.

100 Gecs embrace that freedom completely.

Their work suggests that ska, metal, electronic pop, hip-hop production, emo, and punk can all belong to the same creative vocabulary.

Are 100 Gecs Still Together?

Yes, 100 Gecs remain a duo consisting of Laura Les and Dylan Brady.

Both musicians also have creative careers and interests outside the group, including solo work, collaborations, songwriting, and production.

As of 2026, 10,000 Gecs remains their latest studio album.

Their relatively compact studio discography has nevertheless had a substantial impact because each major release represents a distinct stage in the development of their sound.

Frequently Asked Questions About 100 Gecs

Who are the members of 100 Gecs?

100 Gecs consists of Laura Les and Dylan Brady. Both members contribute vocals, songwriting, production, and instrumentation.

When were 100 Gecs formed?

100 Gecs formed in 2015, and the duo released their self-titled debut EP in 2016.

Where are 100 Gecs from?

Laura Les and Dylan Brady have roots in the St. Louis, Missouri area, and the project is associated with St. Louis as its place of origin.

What is 100 Gecs famous for?

100 Gecs are famous for their highly experimental mixture of hyperpop, electronic music, pop-punk, ska, metal, emo, and other genres, as well as songs such as “Money Machine” and “Hollywood Baby.”

What was 100 Gecs’ breakthrough?

The duo’s major breakthrough came with the release of 1000 Gecs in 2019, particularly as songs such as “Money Machine” gained widespread attention online.

What is 100 Gecs’ biggest song?

“Money Machine” is among the songs most strongly associated with their breakthrough and remains one of the defining tracks of their career.

Is 100 Gecs hyperpop?

Yes, 100 Gecs are widely associated with hyperpop, although their music extends into pop-punk, electronic, ska, metal, alternative rock, emo, and numerous other styles.

What was 100 Gecs’ first album?

Their first full-length studio album was 1000 Gecs, released in 2019.

What is 100 Gecs’ latest album?

As of 2026, their latest studio album is 10,000 Gecs, released in March 2023.

Who is the singer of 100 Gecs?

Both Laura Les and Dylan Brady contribute vocals. The project is a collaborative duo rather than a conventional band built around a single lead singer.

100 Gecs Complete Bio: The Story So Far

The complete biography of 100 Gecs traces one of the more unusual paths to recognition in contemporary alternative music.

Laura Les and Dylan Brady began collaborating from roots in the St. Louis music community, released a small experimental EP, pursued individual creative work, and eventually reunited around a project that would become 1000 Gecs.

That 2019 album transformed the trajectory of the duo.

“Money Machine,” “Ringtone,” “Stupid Horse,” and “Hand Crushed by a Mallet” introduced a wider audience to their collision of distorted electronic production and deceptively strong pop melodies. The subsequent 1000 Gecs and the Tree of Clues expanded their world through remixing and collaboration.

Then 10,000 Gecs demonstrated that the duo was capable of significant evolution. Guitars, punk, ska, alternative rock, and heavier influences became increasingly prominent without replacing the electronic experimentation at the heart of their identity.

What ultimately makes 100 Gecs significant is not any single genre label.

Their music reflects a generation for whom musical categories are increasingly fluid. Laura Les and Dylan Brady treat decades of pop culture as an enormous collection of sounds available for reconstruction, whether those sounds originate in underground electronic music, early-2000s rock, ska, metal, emo, hip-hop, or mainstream pop.

The results can be chaotic, funny, abrasive, melodic, and strangely emotional—sometimes within the same song.

From the breakthrough of 1000 Gecs to the expanded sonic world of 10,000 Gecs, Laura Les and Dylan Brady have turned 100 Gecs into one of the most distinctive genre-blurring duos of the internet era, establishing a musical identity that remains difficult to categorize and even harder to mistake for anyone else.